June, 2020 - Jaded In Chicago - Music News, Interviews, Features, and more

Riot Fest Announces 2021 First Wave Lineup

06.16.20

Earlier today, Riot Fest announced their first wave lineup for 2021. With the festival postponed this year due to the current pandemic, organizers are already looking ahead to next year. My Chemical Romance, Smashing Pumpkins, Run The Jewels, Pixies, Circle Jerks, Jawbox and Les Savy Fav are the headliners that have been disclosed so far. Next year’s lineup will also include L7, Pup, Big Freedia, Fucked Up and many others. Tickets are on sale now and can be purchased here. Stay tuned for additional announcements in the coming months.

Fake Names – Self-titled

06.10.20

Epitaph – Release Date: 5/08/20

Last month, Fake Names released their debut full-length via Epitaph. The band’s lineup features Dennis Lyxzén, (Refused, International Noise Conspiracy) Brian Baker, (Bad Religion, Minor Threat) Johnny Temple, (Girls Against Boys) and Michael Hampton, (S.O.A.). While many will be quick to label them a supergroup, what’s different about Fake Names is that its members share a natural chemistry and their songwriting doesn’t seem forced. One of the first entries that stands out is “Being Them,” as it combines old school punk with contemporary influences. It also features a sprawling chorus and lyrics that champion free thought and oppose conforming to society’s standards. “Brick” begins with a fiery riff and an aggressive verse before a hyper-melodic chorus emerges unexpectedly. Its lyrics are rather timely in that they talk of revolution, (“You will fall like never before / Statues crumble, backs against the wall / You will pay for what you’ve done / Gonna destroy what you’ve become”). Despite clocking in at under two minutes, it’s easily one of the album’s most memorable songs.

“First Everlasting” spotlights the range and command of Lyxzén’s voice and includes a sing-a-long chorus that’s reinforced with multiple backing vocals. “This Is Nothing” embraces more of a post-punk style, with a plodding verse and a distorted bass lead. Its words provide a critique of consumerism and denounce the shallow aspects of today’s culture. The record ends on “Lost Cause,” an overtly catchy song with a driving beat and prominent melodic guitar leads. It concludes the album on a fitting note, with a positive message of not giving up and holding true to one’s beliefs.

Without question, this is a concise and solid debut. Its overall theme of questioning longstanding institutions and societal norms is extremely appropriate right now. Here’s to hoping there’s more to come from Fake Names and that this record is not just a one-off experiment.