Self-released – Release Date: 6/11/21
Earlier this month, Meat Wave released a six-song EP, titled Volcano Park. Despite their last full-length being released over four years ago, the band has returned sounding as angst-filled and inspired as ever. The first song, “Tugboat,” begins with a foreboding riff and a marching rhythm. An instrumental bridge emerges that aggressively thrashes between chords and slyly finds its way to a shouted chorus. The song culminates with an incendiary ending that accentuates the drumming of Ryan Wizniak. The next entry, “For Sale,” exudes old school Chicago punk, mixed with a hint of surf rock. It’s not unlike Naked Raygun, but Meat Wave definitely puts their own distinctive stamp on the style.
“Yell at the Moon” opens with a discreet intro that explodes into a seriously badass riff. Here, the whole band is working together, like a true power trio, to generate a ton of noise. The vocals of singer/guitarist Chris Sutter sound somewhat imposing, thanks in part to a burly, stomping rhythm. The song continues to intensify until the epic riff returns and the band lets loose. Sutter justifiably exhibits a bit of swagger near the end, delivering several rock ‘n’ roll howls. The next track, “Truth Died,” changes things up with a spacey, alt-rock vibe. It seems likely that its lyrics reference the political climate in America during the last four years, and this matches the mood of the instrumentation extremely well.
The final song on Volcano Park, “Fire Dreams,” starts with a chugging rhythm that sounds like a slow-moving freight train. It plods along, anchored by bassist Joe Gac, before a pensive verse takes shape. The vocals are somewhat haunting and similar in tone to the two-note guitar riff. The middle section shifts and gets fairly quiet, as the band demonstrates their mastery of dynamics, before the song rises to the record’s most powerful and chaotic section. “Fire Dreams” is by all accounts a multi-layered entry and highly representative of the EP as a whole. The writing, performances and production of these songs are all spot-on, with Meat Wave sounding as though they’re poised to create something truly exceptional with their next album.
This Friday, Mike Lust will release his debut solo album, Demented Wings. Lust is both the frontman for Tight Phantomz and an accomplished producer, having produced or engineered albums by Urge Overkill, William Elliott Whitmore, Joan of Arc, Russian Circles and others. While Lust had been contemplating the idea of making a solo record for years, it wasn’t until the onset of the pandemic last spring that he discovered a newfound motivation. He explained, “I started what became the songs on this record maybe four years ago. I was making some good strides with them until my brother passed away. That just kind of took the wind out of my sails for a little while, as it would with anyone who loses someone close to them. When the pandemic hit last March, I thought it was as good a time as any to pick it back up. I started to quarantine at my studio, basically going up there all day, every day, and going home only to sleep. Before long, I could start to see what the arc of the record was going to be and just took it from there.”
The resulting full-length features a total of ten songs, which include an array of eclectic influences that ultimately come together to form a singular vision. Such characteristics are plainly evident in the album’s first single, “Danceteria.” When asked about the accompanying video for this song and where its concept came from, Lust said “The idea for the video came little by little until it was finally shot. I was watching a lot of Twilight Zone. It actually started with the idea of what happens in the dark when no one’s watching. In the small hours. Do the mannequins come to life? Do the animals take over the museum? That sort of thing. The idea evolved into what we finally have when we decided to shoot it at the Empty Bottle, which was the idea of the video’s director, Brendan Leonard. That feeling of the world being in suspended animation. All it took was a song to bring it back. That sounds kinda corny, so it needed to have a little eeriness to it. Some sadness. I’m actually quite proud of it, even if I don’t actually know what it’s supposed to mean.”
In regards to what he has planned to support Demented Wings, Lust detailed several of his goals. He said, “I do know that I want this record to reach as many people as it can. I guess putting together a band to perform this music is the first step. Playing live. I definitely enjoy the process of making videos and I do believe they are effective in getting the music across with some imagery, so more of that. I really just hope that this record affords me the chance to keep making music and that there’s an audience and an outlet for what I do. To help me build the momentum to keep doing this with some frequency, because there are so many more songs in the can.” Check out the video for “Danceteria” below and pre-order the album via Forge Again Records here.