Epitaph – Release Date: 3/03/23
Earlier this month, Fake Names released their second full-length, called Expendables. Compared to their self-titled debut, this album leans more towards post-punk and clear-cut melodies, but its foundation remains built upon old school punk and classic rock influences. There’s also a greater emphasis on the production and thanks to producer Adam “Atom” Greenspan, (IDLES, Yeah Yeah Yeahs) this collection of songs is decidedly focused and direct.
The title track features a distinctive descending riff in its verse and a chorus that’s aided by a congregation of backing vocals. It also includes a towering chord progression directly after the chorus that acts like a bridge. It’s seemingly simple, but deceptively creative. “Can’t Take It” opens with an evasive and slinking guitar lead before singer Dennis Lyxzén, (Refused, INVSN, The [International] Noise Conspiracy) paints a picture of frustration with today’s modern world and laments things like excess screen time and information overload. At one point he screams “I’m gonna crack!” and a guitar solo soon emerges and overlaps with the intro riff at just the right moment.
“Damage Done” has a driving rhythm and a classic punk sound that somehow doesn’t sound predictable. Its chorus acts like a rallying cry and mammoth riffs abound, courtesy of guitarists Brian Baker, (Minor Threat, Bad Religion, Dag Nasty) and Michael Hampton, (S.O.A., Embrace). It certainly isn’t a stretch to say that this song is the record’s catchiest and most accessible. In contrast, “Caught in Between” is a dissonant, midtempo entry that enjoys a slight alternative rock vibe in its main hook. It also highlights the ironclad rhythm section, consisting of bassist Johnny Temple, (Girls Against Boys, Soulside) and new drummer Brendan Canty, (Fugazi, Rites of Spring). The album concludes with “Too Little Too Late,” an agile, post-punk number that mixes melody and discord in a really unique way. Its lyrics speak to the album’s overall themes, which are often dark, but still maintain a sliver of hope.
On Expendables, Fake Names have evolved and pushed the boundaries of what they do, while still preserving their core characteristics. There’s strong writing and first-class performances throughout this record, with the band members pooling decades of experience to create something special.
