Photos by Katie Hovland
The first day of Riot Fest began somewhat ominously, with cloudy skies and forecasted showers, but after a brief spell of light rain from 1:00 – 2:00 PM, the skies cleared and sunshine remained for the duration of the festival. This was a huge change from the previous two years, where heavy rains and an abundance of mud unfortunately dominated the weekends. This year’s event marked the second time that Riot Fest was held in Douglas Park, and while the grounds proved to be a very adequate space last year, the festival’s organizers did an even better job this time around of maximizing the park’s space. They managed to create an open layout that allowed for easy movement between stages and also minimized excess sound from bleeding into unintended areas. Another positive was the emphasis on local businesses, specifically the beer tents named after establishments like Liar’s Club, Double Door, Cobra Lounge and All Rise Brewing. There were also great local food options, like Reggie’s, Taco In A Bag and others. Despite Riot Fest continuing to grow markedly in size every year, it really doesn’t feel like a giant, corporate-sponsored festival and it definitely hasn’t lost sight of its roots. Loyal attendees return every September to find that the bar has once again been significantly raised and the original spirit of the event still very much intact. Continue Reading…
This past June, Bad Cop/Bad Cop released their debut album on Fat Wreck Chords, called Not Sorry. We caught up with the band last month when they played House of Blues Chicago as part of the Fat Wrecked for 25 Years tour. We spoke with singer/guitarist Jennie Cotterill and talked about how the group got its start, as well as what it was like recording their new record. We also discussed Bad Cop/Bad Cop’s unique sound, which combines three-part vocal harmonies, West Coast ‘90s punk and a relentless supply of energy. Additionally, we conversed about the lack of female musicians in punk rock today, the band’s plans for this fall/winter and more. Continue Reading…
Fat Wreck Chords really doesn’t require much of an introduction. It was founded in 1990 by NOFX singer/bassist Fat Mike and his then-girlfriend Erin Burkett, and quickly rose to become one of the most popular and influential punk rock record labels in the world. They helped launch the careers of bands like Lagwagon, Propagandhi, No Use for a Name, Strung Out, Good Riddance and many others. They continue to develop emerging and dynamic bands to this day, and do so while maintaining the standards of quality they’ve displayed since their inception. Fat recently celebrated its 25th anniversary and we spoke with co-founder Erin Burkett about the label’s history. We talked about its humble beginnings, how the label grew and some of the challenges they faced along the way. We also discussed the current Fat tour, the label’s future and more.
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Fat Wreck Chords – Release Date: 10/29/13
Last year, No Use For A Name singer/guitarist Tony Sly passed away unexpectedly at the age of 41. No Use’s longtime label, Fat Wreck Chords, has responded by releasing this 26-track compilation, with proceeds benefitting Sly’s wife and two daughters. The resulting album features some of the biggest names in punk, with bands covering both NUFAN songs and music from Sly’s solo career. By all accounts, Sly was a truly gifted songwriter and this record does a phenomenal job of not only showcasing his talents, but also celebrating his life. Karina Denike, former Dance Hall Crashers singer, opens the album with a haunting, almost a cappella rendition of “Biggest Lie” that emphasizes Sly’s powerful lyrics. Strung Out provides a fast-paced, metallic version of No Use’s biggest hit, “Soulmate,” and it’s simply one of the best entries on the record. Conversely, Rise Against offers a stripped-down, acoustic take of “For Fiona,” which strikes an emotional chord when singer Tim McIlrath concludes the song by echoing Sly’s words of “I’m always here.” Bad Religion, NOFX and Lagwagon all contribute strong and sturdy covers, with the latter sounding particularly spirited. Snuff adds a reggae-tinged song, while Old Man Markley supplies some bluegrass influence, illustrating that Sly’s songwriting transcends genres. Frank Turner and The Gaslight Anthem also present quality interpretations, as do The Bouncing Souls, Teenage Bottlerocket and many additional artists on this compilation. In short, the album very much succeeds in honoring Sly’s memory. He was respected by an array of musicians and will always be remembered for being an especially talented lyricist. If you ever enjoyed any of Sly’s work, there’s no doubt that you’ll enjoy this as well. Lastly, check out Alkaline Trio’s unique and chilling cover of “Straight from the Jacket” below.
[audio:http://www.jadedinchicago.com/wp-content/uploads/2013/11/15-Straight-From-the-Jacket.mp3|titles=”Straight From the Jacket”]This fall, Cobra Skulls released their debut album for Fat Wreck Chords, titled Agitations. The band hails from Reno, Nevada and plays a unique brand of rockabilly-infused punk. Agitations is an urgent and well-rounded record, and certainly the most impressive effort thus far from Cobra Skulls. We spoke with singer/bassist Devin Peralta and discussed how the album was written and recorded, what some of its songs are about, touring and more.
Fat Mike has been a household name in the world of punk rock for more than ten years. His resume includes fronting the legendary NOFX and founding what is arguably the world’s best punk record label, Fat Wreck Chords. Today he can add political activist to his list of credentials. With the formation of his Punk Voter website and the upcoming release of the Rock Against Bush compilations, Fat Mike is a man on a mission in ’04. NOFX will also headline the first leg of the Punk Voter tour, as well as play select dates on Warped Tour, all in hopes of sending W. back to Crawford, Texas come November. Though he has garnered some flak due to his latest actions, Mike remains undeterred by his critics. He continues to exercise his right as an American citizen to make his voice heard and do what it takes to unite punks in electing a President who’s more deserving of the title. Continue Reading…