Red Scare Industries – Release Date: 2/17/17
Despite over five years elapsing since the release of the last album from Nothington, it sounds as though they never missed a beat on their latest full-length, In the End. Oftentimes when a band takes a similar hiatus, their new material sounds forced or like they’re trying to recapture a previous style. Conversely, this record breaks new ground and finds Nothington sounding focused, revitalized and demonstrating a new level of detailed songwriting. A great example of this is “The Lies I Need,” with lyrics that emphasize a strong sense of resolve and a chorus that utilizes both vocalists to create multiple layers of melody. The song also displays restraint in that there are quieter parts, but also times when the band really turns it up and pushes the tempo to accentuate their point. “Burn After Reading” is one of the catchiest entries on the album, complete with introspective lyrics and numerous melodic guitar leads, while “The Hard Way” includes a stirring rhythm and a giant chorus that features each singer exchanging lines. The title track brings the record to a close with personal and reflective lyrics, which underscore a trace of optimism that’s present throughout the album. On In the End, Nothington has crafted a collection of earnest, sing-along anthems that balance melody and aggression. The record is consistent, distinctive and one that makes a familiar and often predictable genre sound revived.
Next month, The Falcon is set to release its first album in nearly a decade. We met up with singer/guitarist Brendan Kelly at the GMan Tavern to discuss the record in detail. We talked about the band’s new guitarist, Dave Hause, and how his contributions helped to shape the album’s sound. Original members Dan Andriano, (Alkaline Trio) and Neil Hennessy, (The Lawrence Arms) are of course still onboard for the ride. We also spoke about how the record was written, what it was like recording with Dan Tinkler at Atlas Studios and how the album’s cover came to be. Additionally, we conversed about the record’s dark lyrical content and how it mirrors the style of the music. Longtime fans will be eager to find the band exploring new sounds, but at the same time retaining the characteristics that they’re best known for. By all accounts, Gather Up The Chaps finds The Falcon sounding very much revitalized and ready for take-off. Continue Reading…
We caught up with Elway last fall after they played Riot Fest Chicago. We spoke with three of their four members, (singer/guitarist Tim Browne, guitarist Brian Van Proyen and drummer Garrett Carr). Bassist Joe Henderer unfortunately could not be present. We discussed the band’s latest album for Red Scare Industries, Better Whenever, including how it was written and the manner in which it was recorded. The record finds Elway experimenting with new songwriting techniques, while at the same time penning lyrics that represent some of the most personal they’ve written to date. We talked with Browne extensively about the reasons for this, as well as the band’s new outlook moving forward and more. Continue Reading…
In December of last year, The Brokedowns issued their latest full-length, Life Is a Breeze. By any measure, the album is both aggressive and authentic, and witnesses the band continuing to refine their distinctive brand of gruff, unpredictable punk rock. We spoke with singer/guitarist/resident comedian Kris Megyery and talked about how the record sounds, what recording it was like and the meaning of some of its songs. We also discussed the band’s birthplace of Elgin, IL, their plans for the remainder of the year and more. Continue Reading…
Red Scare – Release Date: 3/31/15
Success is an up-and-coming band from Seattle and Radio Recovery marks their Red Scare debut. The band’s sound could likely be described as a cross between Borders & Boundaries-era Less Thank Jake and early Dillinger Four, with an emphasis on positive lyrics. Oftentimes the term “sing-along anthem” gets thrown around too frequently, but in this case it’s a suitable description for many of their songs. Take for instance the album’s second track, “22nd St.,” which starts off with a galloping bass line that powers its way to a fiery chorus. Singer Aaron Rev delivers a passionate and guttural shout, exclaiming “There’s no light on 22nd St./There’s no more help for us/For every second passing by/There’s another chance to get out and make things right,” and the listener can’t help but want to pump their fist in the air and scream the words right back. “Revolution…” addresses trends in the punk community and takes aim at music that prioritizes fashion over a message. The song’s chorus utilizes powerful gang vocals and asks, “Where, where is the revolution?” It’s sung with such conviction and really seems like the band is urging its audience to take action and stand up for what they believe in. Another bright spot is “Lives That We Deserve,” a track that captures nearly all the best attributes of Success. There are distinctive vocal melodies, notable guitar riffs and lyrics about overcoming daily struggles in hopes of achieving a better life. Perhaps what’s most appealing about this band is their unabashed approach. They’re not attempting to capitalize on the latest fad, they’re simply writing honest songs that try to inspire. Check out “Lives That We Deserve” below for a break from a lot of the contrived and cynical stuff that’s out there today.
[audio:http://www.jadedinchicago.com/wp-content/uploads/2015/05/06-Lives-That-We-Deserve.mp3|titles= “Lives That We Deserve”]Back in December, The Brokedowns released their second album for Red Scare Industries, entitled Life Is a Breeze. Containing 16 songs in total, the record is not only comprehensive, but also a good representation of the band’s best characteristics. There are influences of Dillinger Four and Hot Snakes to be found, but those are overshadowed by The Brokedowns’ unique take on Midwestern punk and the sheer amount of aggression they generate in their songwriting. This Sunday, 3/01, they’re playing Beat Kitchen, along with Meat Wave, Canadian Rifle and Foul Tip. The show starts at 8:00 PM, is 17+ and costs $8. Check out a track from Life Is a Breeze below, called “Born on the Bayou Too.”
[audio:http://www.jadedinchicago.com/wp-content/uploads/2015/02/06-Born-On-The-Bayou-Too.mp3|titles= “Born on the Bayou Too”]Last month, Alkaline Trio drummer Derek Grant released his debut solo album via Red Scare Industries, called Breakdown. We caught up with Grant just before his recent show at Beat Kitchen to discuss the details of the record. We talked about what inspired him to start writing songs, the personal nature of his lyrics and the various musical influences found on the album. We also spoke about how Breakdown was recorded, the fact that Grant played all the instruments on the recording, his partnership with Red Scare and more. What’s apparent after listening to the LP is that Grant is not only an especially talented musician, but also an engaging lyricist who just began a very promising solo career. Continue Reading…
Red Scare Industries – Release Date: 9/22/14
Ten years ago, former Fat Wreck Chords employee Tobias Jeg was living in San Francisco when The Falcon expressed that they were looking for a new label to release its debut EP, God Don’t Make No Trash or Up Your Ass with Broken Glass. Jeg put it out and Red Scare Industries was born. Ten Years of Your Dumb Bullshit showcases 17 new songs by bands that Red Scare has lifted up and out of the basements over the past decade. Starting the compilation is the catchy occult-themed track, “Pyramids” by The Lillingtons, the first new recording in eight years by Red Scare’s longest-running band. Following that, The Falcon pops in for 1:43 after six years with “We Are the Bald,” an upbeat yet self-deprecating song that’s difficult not to crack a smile at. Masked Intruder offers up “I Don’t Mind,” a song about being so malleable in a relationship that death is the only way the subject can get rid of the suitor. The Copyrights, who just released a full-length on Red Scare, offer up the shortest and one of the most melodic songs on the compilation, “Oedipus Dill,” clocking in at 1:25. Teenage Bottlerocket keeps it straightforward with “TV Set,” a simple song about being overwhelmed by and sick of television. Elgin, Illinois’ Brokedowns really stand out with “Ouija Jive,” which sounds like a B-side to the Species Bender recording session that should have made it on the album. The Reaganomics come back after four years with “Bite Your Tongue,” a pop punk track about self-righteous individuals who post on the internet trying to change the world, but only end up sounding ignorant. One of Red Scare’s first bands, Cobra Skulls, contributes an angst-laced song sung in Spanish called “No Puede Mas,” which translates to “I’ve Had Enough.” The Methadones played their last show in 2010, but chalk up a new tune called “Trip Wire,” reminiscent of The Ramones, but with the Methadones’ refreshing signature power pop style. The comp’s tone mellows out a bit with “The Wallflowers,” a melodic indie jam by The Sidekicks. Brendan Kelly makes a second appearance on vocals with “Gluesday Evening Blues” by his band Brendan Kelly and the Wandering Birds – quite a bit slower and folkier than The Falcon. Great new tracks by Elway, Nothington, Enemy You, Direct Hit! and Druglords of the Avenues round out this compilation nicely. The album ends on a soft, sobering note with an acoustic song called “Forever West” by one of the newest additions to the Red Scare family, Sam Russo. His poetic, somber tone gives a great balance to this heavily punk-driven compilation. Check out the Red Scare Records 10-year anniversary show this Saturday at the Metro at 3:45 PM, featuring The Falcon, The Lillingtons, The Methadones (reunion show), Masked Intruder, Enemy You, The Sidekicks, Teenage Bottlerocket, Brendan Kelly and the Wandering Birds, The Holy Mess, Direct Hit!, Elway, The Brokedowns and The Reaganomics.
– Jason Duarte
This Saturday, The Lawrence Arms are playing Metro with The Copyrights, Sam Russo and Dog & Wolf. The show starts at 6:00 PM, is all-ages and tickets can be purchased here. The Lawrence Arms are touring in support of their latest album and Epitaph debut, Metropole, while The Copyrights just announced that they’ll be releasing a new 7” on Fat Wreck Chords this summer called No Knocks. Also, Sam Russo released a split EP on Red Scare last month with TLA singer/bassist Brendan Kelly and it can be ordered here. Check out the above photos of The Lawrence Arms that were taken by JIC’s own Katie Hovland. They’re from the band’s practice space and were shot just before their recent show at the Concord Music Hall.
Elway recently embarked on a pair of tours and we spoke with singer/guitarist Tim Browne just before the band hit the road. Besides their scheduled shows, we also discussed their second album Leavetaking, which was released last year on Red Scare Industries. We talked about how it was recorded, the meaning behind its title and the record’s overall theme. In addition, we conversed about how most of the band recently moved to Chicago, their relationship with Red Scare and more. Continue Reading…
Last year, Masked Intruder released their debut album and subsequently took the pop punk world by storm. They take a unique approach with genre, combining ‘50s rock ‘n’ roll with contemporary punk influences, and emphasizing catchy melodies and humorous lyrics. The finished product is well-played, highly addictive and simply a lot of fun. The band recently played Beat Kitchen and we spoke with them before the show about their new record label, what recording the album was like, their upcoming European tour and more. Pictured above from left to right are bassist/singer Yellow, guitarist/singer Green, drummer Red and lead singer/guitarist Blue. Continue Reading…
Red Scare Industries was founded in 2004 by Toby Jeg. The label started in San Francisco and some of its earliest releases were from bands like The Falcon, Teenage Bottlerocket and The Lillingtons. Eventually Red Scare would relocate to Chicago and quickly establish ties with a variety of Midwestern acts. Over the years, the label has gained a reputation for consistently putting out quality music and today it’s widely regarded as one of the country’s leading independent punk rock record labels. A few of the most recognized bands that they’ve worked with include: The Methadones, The Copyrights, Cobra Skulls, The Sidekicks and The Menzingers. We recently met with Jeg and talked about Red Scare’s beginnings, as well as how it’s grown, future plans and more. Throughout our conversation, Jeg provided detailed responses, resulting in an in-depth look at how the label operates. Continue Reading…
Brendan Kelly & The Wandering Birds unveiled their debut full-length a short time ago, entitled I’d Rather Die Than Live Forever. It marks Brendan’s latest musical project and sounds distinctly different from his primary band, The Lawrence Arms. We spoke with Mr. Kelly about the album’s unique style, what inspired some of its lyrics, the manner in which it was recorded and more. Pictured above with Brendan is Nick Martin, who played a variety of instruments on the album. Continue Reading…
The Menzingers recently issued their debut album for Epitaph, titled On the Impossible Past. The Scranton, Pennsylvania band has toured extensively over the last several years, releasing a significant amount of quality music along the way, and as a result have become one of the most popular bands in independent punk rock. Their new record features improved musicianship and experimentation with different genres, yet simultaneously encompasses all the things that fans have come to love about the band. We spoke with singer/guitarist Greg Barnett and discussed the group’s new label, what recording the album was like and what some of its songs are about. We also talked about their recent shows in Australia, the various tours that they have scheduled later this year and more. Continue Reading…
The Menzingers are a rare example of a band that lives up to the hype. They’re proficient with both their songwriting and live performances, and despite their youth, they make what they do look easy. In April of this year, they released their breakout album and Red Scare debut, Chamberlain Waits. We caught up with singer/guitarists Greg Barnett and Tom May at the second annual Windy City Sound Clash and discussed the details of their new album, as well as record label dealings, tour stories and more. Continue Reading…