This morning, Riot Fest announced their first wave lineup. This year also marks the 15th anniversary of the event. Blink-182, Slayer, a reunited Bikini Kill, The Raconteurs, Rise Against, The Flaming Lips, and Jawbreaker are among the headliners that have been revealed thus far. The festival, which takes place Sept. 13 – 15 in Douglas Park, will also include Ween, Patti Smith, Rancid, Violent Femmes, Descendents, The B-52’s, Avail, Against Me!, Hot Snakes, Less Than Jake, Cursive, and many others. Tickets are on sale now and can be purchased here. Additional bands will be announced in the coming weeks.
Full Album Performances by:
Against Me! – Reinventing Axl Rose + Transgender Dysphoria Blues
Avail – Over The James
Bloc Party – Silent Alarm
Dashboard Confessional – The Places You Have Come To Fear The Most
The Flaming Lips – Yoshimi Battles the Pink Robot
Glassjaw – Worship and Tribute
The Selecter – Too Much Pressure
Senses Fail – From the Depths of Dreams + Let It Enfold You
Taking Back Sunday – Tell All Your Friends + Louder Now
Ween – The Mollusk
Last month, Teenage Bottlerocket released their latest full-length, Stay Rad! It marks the band’s first album of new material since the unexpected passing of founding drummer Brandon Carlisle in 2015. We spoke with Brandon’s brother, singer/guitarist Ray Carlisle, and discussed the circumstances surrounding the creation of this record. We talked about when the band felt that it was an appropriate time to start writing again, how they found new drummer Darren Chewka and what it was like recording without Brandon. We also covered their extensive touring schedule this year, what they’ve got planned for the future and more. Stay Rad! contains the youthful energy and humor that Teenage Bottlerocket is known for, but also adds layered songwriting and the inclusion of new influences. The resulting album is one that finds the band sounding assured and ready to move forward with the next chapter in their career.
This December, The Lawrence Arms will once again host three consecutive evenings of rousing, booze-filled festivities. This year, the revelry starts on Thursday, 12/14 at Cobra Lounge, with support from The Ridgelands and Fuck You, Idiot. On Friday, 12/15 the party moves to Bottom Lounge and features openers Teenage Bottlerocket and Blood People. The event concludes on Sunday, 12/16 again at Bottom Lounge, this time with Nothington and Sass Dragons joining the fun. Tickets go on sale this Friday at 10:00 AM and the Cobra Lounge show can be purchased here, while the Bottom Lounge shows can be obtained here and here.
Fat Wreck Chords – Release Date: 3/18/16
Last week, Mean Jeans marked their Fat Wreck Chords debut with the release of the Nite Vision seven-inch. The record serves as a preview for their upcoming album Tight New Dimension, which the label will put out in April. Containing three songs in total, (one that appears on the full-length and two that are exclusive) Nite Vision finds the Portland trio sharpening their patented take on Ramones-inspired garage rock. Things get underway with the title track, an ominous entry that features surf rock undertones and a chorus that stomps along with authority. It also contains a gloomy yet melodic guitar lead that helps to solidify the mood of this confident anthem. Up next is “Now I Wanna Be Yr Dogg,” which channels Teenage Bottlerocket but adds extra humor and a noticeably faster tempo. It’s infectiously catchy and does a nice job of showcasing the vocal abilities of singer/guitarist Billy Jeans. The record concludes with “69 Tears,” clocking-in at less than a minute and a half, though still managing to include buzzsaw guitars, skillful drumming and distinctive call and response backing vocals. If these songs are any indication of what’s to come on Mean Jeans’ forthcoming album, then it sounds as though the band has taken their craft to that next level. Check out the song “Nite Vision” below for a sample of what’s in store.
[audio:http://www.jadedinchicago.com/wp-content/uploads/2016/03/Night_Vision.mp3|titles= “Nite Vision”]
Red Scare Industries – Release Date: 9/22/14
Ten years ago, former Fat Wreck Chords employee Tobias Jeg was living in San Francisco when The Falcon expressed that they were looking for a new label to release its debut EP, God Don’t Make No Trash or Up Your Ass with Broken Glass. Jeg put it out and Red Scare Industries was born. Ten Years of Your Dumb Bullshit showcases 17 new songs by bands that Red Scare has lifted up and out of the basements over the past decade. Starting the compilation is the catchy occult-themed track, “Pyramids” by The Lillingtons, the first new recording in eight years by Red Scare’s longest-running band. Following that, The Falcon pops in for 1:43 after six years with “We Are the Bald,” an upbeat yet self-deprecating song that’s difficult not to crack a smile at. Masked Intruder offers up “I Don’t Mind,” a song about being so malleable in a relationship that death is the only way the subject can get rid of the suitor. The Copyrights, who just released a full-length on Red Scare, offer up the shortest and one of the most melodic songs on the compilation, “Oedipus Dill,” clocking in at 1:25. Teenage Bottlerocket keeps it straightforward with “TV Set,” a simple song about being overwhelmed by and sick of television. Elgin, Illinois’ Brokedowns really stand out with “Ouija Jive,” which sounds like a B-side to the Species Bender recording session that should have made it on the album. The Reaganomics come back after four years with “Bite Your Tongue,” a pop punk track about self-righteous individuals who post on the internet trying to change the world, but only end up sounding ignorant. One of Red Scare’s first bands, Cobra Skulls, contributes an angst-laced song sung in Spanish called “No Puede Mas,” which translates to “I’ve Had Enough.” The Methadones played their last show in 2010, but chalk up a new tune called “Trip Wire,” reminiscent of The Ramones, but with the Methadones’ refreshing signature power pop style. The comp’s tone mellows out a bit with “The Wallflowers,” a melodic indie jam by The Sidekicks. Brendan Kelly makes a second appearance on vocals with “Gluesday Evening Blues” by his band Brendan Kelly and the Wandering Birds – quite a bit slower and folkier than The Falcon. Great new tracks by Elway, Nothington, Enemy You, Direct Hit! and Druglords of the Avenues round out this compilation nicely. The album ends on a soft, sobering note with an acoustic song called “Forever West” by one of the newest additions to the Red Scare family, Sam Russo. His poetic, somber tone gives a great balance to this heavily punk-driven compilation. Check out the Red Scare Records 10-year anniversary show this Saturday at the Metro at 3:45 PM, featuring The Falcon, The Lillingtons, The Methadones (reunion show), Masked Intruder, Enemy You, The Sidekicks, Teenage Bottlerocket, Brendan Kelly and the Wandering Birds, The Holy Mess, Direct Hit!, Elway, The Brokedowns and The Reaganomics.
– Jason Duarte
Fat Wreck Chords – Release Date: 10/29/13
Last year, No Use For A Name singer/guitarist Tony Sly passed away unexpectedly at the age of 41. No Use’s longtime label, Fat Wreck Chords, has responded by releasing this 26-track compilation, with proceeds benefitting Sly’s wife and two daughters. The resulting album features some of the biggest names in punk, with bands covering both NUFAN songs and music from Sly’s solo career. By all accounts, Sly was a truly gifted songwriter and this record does a phenomenal job of not only showcasing his talents, but also celebrating his life. Karina Denike, former Dance Hall Crashers singer, opens the album with a haunting, almost a cappella rendition of “Biggest Lie” that emphasizes Sly’s powerful lyrics. Strung Out provides a fast-paced, metallic version of No Use’s biggest hit, “Soulmate,” and it’s simply one of the best entries on the record. Conversely, Rise Against offers a stripped-down, acoustic take of “For Fiona,” which strikes an emotional chord when singer Tim McIlrath concludes the song by echoing Sly’s words of “I’m always here.” Bad Religion, NOFX and Lagwagon all contribute strong and sturdy covers, with the latter sounding particularly spirited. Snuff adds a reggae-tinged song, while Old Man Markley supplies some bluegrass influence, illustrating that Sly’s songwriting transcends genres. Frank Turner and The Gaslight Anthem also present quality interpretations, as do The Bouncing Souls, Teenage Bottlerocket and many additional artists on this compilation. In short, the album very much succeeds in honoring Sly’s memory. He was respected by an array of musicians and will always be remembered for being an especially talented lyricist. If you ever enjoyed any of Sly’s work, there’s no doubt that you’ll enjoy this as well. Lastly, check out Alkaline Trio’s unique and chilling cover of “Straight from the Jacket” below.
[audio:http://www.jadedinchicago.com/wp-content/uploads/2013/11/15-Straight-From-the-Jacket.mp3|titles=”Straight From the Jacket”]
Teenage Bottlerocket released a new album several months ago called Freak Out! It’s the band’s fifth full-length overall and their second for Fat Wreck Chords. We spoke with singer/guitarist Kody Templeman and discussed the album’s recording process, as well as the meaning behind some of its songs. We also talked about touring, music videos and more. Pictured above from left to right are bassist Miguel Chen, drummer Brandon Carlisle, Templeman and singer/guitarist Ray Carlisle. Continue Reading…
Fat Wreck Chords – Release Date: 7/03/12
With their latest album, Freak Out!, Teenage Bottlerocket has assumed total control of the modern day pop punk throne. While their sound is undeniably influenced by The Ramones and some of the classic Lookout! Records bands of the ‘90s, this time around they’ve diversified their songwriting and basically improved on all aspects of what they do. Everything from the vocals to the musicianship has been kicked up a notch, and such enhancements are evident on each of the record’s 14 tracks. Songs like “Necrocomicon” and “Maverick” incorporate topical and clever humor in their lyrics, as the first deals with zombies taking over the San Diego Comic-Con and the second pays tribute to the hit 1986 film Top Gun. Things take a more serious turn on “Done with Love,” when singer/guitarist Kody Templeman laments a failed relationship with considerable honesty and vulnerability. It’s definitely one of the album’s top songs, if not one of the finest he’s ever written. Templeman again succeeds on “Summertime,” a sugary love song that’s best enjoyed while driving with the windows down and the volume all the way up. Not to be outdone, singer/guitarist Ray Carlisle contributes a contemporary-sounding gem called “Never Gonna Tell You.” It finds the band navigating unfamiliar musical territory with great success, and the same goes for the record’s final entry, “Go with the Flow.” This Sludgeworth-inspired tune is also sung by Carlisle and it fittingly concludes the album on an introspective note. Freak Out! will likely be remembered as Teenage Bottlerocket’s defining full-length. It’s certainly one of the most memorable pop punk releases to come along in recent years and one that needs to be heard by any and all fans of the genre. Take a listen below to “Done with Love.”
[audio:http://www.jadedinchicago.com/wp-content/uploads/2012/07/06-Done-With-Love.mp3|titles=Done With Love]