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Beach Rats – Rat Beat
Epitaph – Release Date: 7/29/22
In late July, the all-star cast of punk rock lifers known as Beach Rats released their debut album. The band formed over a mutual love of 80’s punk and hardcore, and to simply have fun while creating music that evokes the spirit of that era. Not only did Beach Rats achieve that goal on Rat Beat, they also succeeded in carving out their own distinctive sound. Opener “Bikes Out” crashes through the speakers at a breakneck pace and the signature vocals of Ari Katz, (Lifetime) are front and center in the mix. Bassist Bryan Kienlen, (Bouncing Souls) also provides several prominent bass leads, which really assist in bringing everything together on this short and direct entry. “Heavy Conversation” features a unique, descending guitar lead in its intro, quickly followed by chords that transition furiously in the verse. The song brims with energy and would likely induce numerous fists in the air at a live show. It also enjoys somewhat of a loose feeling during the breakdown, illustrating that Beach Rats are fittingly more focused on mood than they are perfection.
The title track contains a vocal melody and accompanying chord progression that overlap perfectly, as well as a surplus of frantic guitar solos, courtesy of Brian Baker, (Bad Religion, Minor Threat) and Pete Steinkopf, (Bouncing Souls). The song quiets for a few seconds near the end, seemingly fooling the listener before the band charges back at full volume one last time. Conversely, “Blown to Bits” is more of a mellow track that mixes major and minor chords. It has lots of alternating rhythms that transition unexpectedly, and some underlying hardcore beats, all of which showcase the abilities of drummer Danny Windas.
Rat Beat was primarily written and rehearsed in Baker’s basement, and then recorded by Eric Bennett at Lakehouse Studios in just one day. It’s this sort of approach, both instinctive and not overthought, that really defines the character of these songs. There’s also an abundance of youthful drive and an undeniable sense of honesty on this record. It’s traits like this that allow Beach Rats to not only live up to the hype, but ultimately surpass expectations.
V/A – The Songs of Tony Sly: A Tribute
Fat Wreck Chords – Release Date: 10/29/13
Last year, No Use For A Name singer/guitarist Tony Sly passed away unexpectedly at the age of 41. No Use’s longtime label, Fat Wreck Chords, has responded by releasing this 26-track compilation, with proceeds benefitting Sly’s wife and two daughters. The resulting album features some of the biggest names in punk, with bands covering both NUFAN songs and music from Sly’s solo career. By all accounts, Sly was a truly gifted songwriter and this record does a phenomenal job of not only showcasing his talents, but also celebrating his life. Karina Denike, former Dance Hall Crashers singer, opens the album with a haunting, almost a cappella rendition of “Biggest Lie” that emphasizes Sly’s powerful lyrics. Strung Out provides a fast-paced, metallic version of No Use’s biggest hit, “Soulmate,” and it’s simply one of the best entries on the record. Conversely, Rise Against offers a stripped-down, acoustic take of “For Fiona,” which strikes an emotional chord when singer Tim McIlrath concludes the song by echoing Sly’s words of “I’m always here.” Bad Religion, NOFX and Lagwagon all contribute strong and sturdy covers, with the latter sounding particularly spirited. Snuff adds a reggae-tinged song, while Old Man Markley supplies some bluegrass influence, illustrating that Sly’s songwriting transcends genres. Frank Turner and The Gaslight Anthem also present quality interpretations, as do The Bouncing Souls, Teenage Bottlerocket and many additional artists on this compilation. In short, the album very much succeeds in honoring Sly’s memory. He was respected by an array of musicians and will always be remembered for being an especially talented lyricist. If you ever enjoyed any of Sly’s work, there’s no doubt that you’ll enjoy this as well. Lastly, check out Alkaline Trio’s unique and chilling cover of “Straight from the Jacket” below.
[audio:http://www.jadedinchicago.com/wp-content/uploads/2013/11/15-Straight-From-the-Jacket.mp3|titles=”Straight From the Jacket”]
The Bouncing Souls
Photo by Katie Hovland
Earlier this summer, The Bouncing Souls released their ninth studio album and first for Rise Records, entitled Comet. They recently came through Chicago and played the Metro, and we spoke with singer Greg Attonito, guitarist Pete Steinkopf and bassist Bryan Kienlen. We discussed the new album’s recording process, the meaning behind some of its songs, touring and more. The band also reflected on being together for over 20 years, and looked ahead to some of what they hope to achieve in the future. As always, special thanks to Kate Hiltz for the exceptional assistance. Continue Reading…
Cobra Skulls
Photo by Katie Hovland
This fall, Cobra Skulls released their debut album for Fat Wreck Chords, titled Agitations. The band hails from Reno, Nevada and plays a unique brand of rockabilly-infused punk. Agitations is an urgent and well-rounded record, and certainly the most impressive effort thus far from Cobra Skulls. We spoke with singer/bassist Devin Peralta and discussed how the album was written and recorded, what some of its songs are about, touring and more.
The Loved Ones Interview, 2008
On Build & Burn, The Loved Ones eagerly explore new musical territory with great success. There’s an emphasis on straightforward rock, sing-along choruses and lyrics written from the heart. It’s a surprisingly solid record from start to finish, and one that simply grows more interesting and enjoyable with every listen. Build & Burn has redefined The Loved Ones as one of the underground’s best kept secrets, though it has also set the bar extremely high for their next album. This interview was conducted with singer/guitarist Dave Hause before the band’s 7/20/08 performance at Reggie’s Rock Club in Chicago. Continue Reading…
The Bouncing Souls – Ghosts on the Boardwalk
Chunksaah -Release Date: 1/12/10
In order to celebrate their 20th Anniversary, The Bouncing Souls released a new song each month last year via digital download. Every quarter, three to four songs were compiled and issued on limited edition vinyl as well. Ultimately, the band further appeased their fans and in 2010 made all 12 songs available as a full-length album, entitled Ghosts on the Boardwalk. The end result finds the Souls continuing to mature gracefully, occasionally nodding back at the past, but most importantly, writing some of the best songs of their career. The first noteworthy entry is “I Think That the World…”, which is a peppy and sincerely sappy love song that stomps along with a sturdy, cadenced purpose. The title track is exceptional too, as it exudes an introspective, U2-like vibe, mixed with some classic Bouncing Souls tendencies. Without a doubt, it’s one of the most memorable songs of their already lengthy tenure. “Dubs Stay True” and “We All Sing Along” lean more toward traditional punk rock territory and will happily remind fans of the Souls’ landmark album How I Spent My Summer Vacation. Conversely, “Big Eyes” and “Like the Sun” are somber, slow-paced ditties that showcase a band unafraid of maturing with poise and refinement. In the end, Ghosts on the Boardwalk stands as a testament to the Bouncing Souls’ greatness. Even casual fans of punk rock should immediately check this out, because these guys are unquestionably one of the top bands in the genre.
Riot Fest, 2010
All photos by Katie Hovland. Click on a photo to enlarge.
The Bouncing Souls
Photos by Katie Hovland
Over the past two decades, The Bouncing Souls have evolved to become one of the most prominent bands in American punk rock. By consistently delivering quality music, they’ve established a devoted and sizeable fan base. Perhaps most importantly, they routinely emphasize integrity, both with their songwriting and how they choose to manage the band. This interview was conducted just before their set at Riot Fest 2010 and we spoke with three of the four members, (guitarist Pete Steinkopf, bassist Bryan Kienlen and drummer Michael McDermott). Continue Reading…
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